Main Subject: Korean woman, naturally attractive, realistic skin, minimal makeup, long dark hair loosely tied back. Wearing an oversized faded blue sweatshirt, loose beige pants, white sneakers, and a thin silver necklace. Preserve her exact identity, facial features, hairstyle, and appearance throughout. Location: Quiet Seoul neighborhood just before sunrise. Narrow residential streets, old apartment buildings, utility poles, parked cars, tangled overhead wires, small shops with shutters still closed, and an elevated railway visible beyond the rooftops. Cool early-morning haze slowly turning warm as the sun rises. Style: Ultra-realistic early-2000s Sony MiniDV home video. Candid, quiet and completely unstaged. Handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and low-level microphone noise. No stabilization or modern cinematic movement. 00:00–00:03: She walks quietly through the nearly empty neighborhood, hands tucked into her sweatshirt pockets. The camera follows several steps behind, occasionally drifting toward the empty street. 00:03–00:06: She reaches a small pedestrian overlook near the elevated railway and leans against the railing. She looks tired but peaceful, watching the tracks below. 00:06–00:09: The distant sound of a train grows louder. She turns toward the tracks and waits. The camera struggles to focus in the dim morning light. 00:09–00:12: The first train suddenly rushes past. The camera shakes from the operator's reaction, briefly losing her behind the moving train. Morning light reflects across the windows. 00:12–00:15: She looks back toward the camera with a sleepy little smile, then turns toward the brightening skyline. The camera slowly drifts toward the railway and hazy rooftops as the recording ends. Audio: Natural morning ambience only—distant train sounds, railway vibrations, birds, footsteps, faint traffic, wind, electrical hum and a few distant voices. No music, narration, or added effects. Goal: Make it feel like a forgotten MiniDV recording from an ordinary morning in Seoul. Quiet, intimate, slightly lonely but comforting, with the nostalgia coming from the mundane setting, early-morning atmosphere, and imperfect home-video camera rather than cinematic staging.