Here's the prompt I used:

Here's the prompt I used: Pixar 3D animated film quality, cinematic multi-cut slow motion sequence, bright harsh midday sunlight, clear blue sky, crisp white daylight, sharp shadows, vivid saturated Pixar colors, color temperature 6500K. Dramatic slow motion cuts mixed with real-time cuts, Christopher Nolan style tension editing, total duration 12 seconds across all cuts. SHOT 1 [0:00 to 0:01] Extreme close-up real-time: a single perfect golden-brown triangular samosa sitting on the railing of a 10th floor balcony, bright midday sun catching every crisp fried edge perfectly, steam still rising from it slightly, a small green chutney dip container beside it. A pigeon lands on the railing one foot away from the samosa. Looks at it. Takes one casual step toward it. The samosa wobbles. Tips. Falls off the edge. SHOT 2 [0:01 to 0:03] Wide shot from directly across the street at the 10th floor level: the samosa tumbling outward from the balcony in slow motion, rotating end over end, golden-brown catching the sunlight on every rotation, chutney container somehow also falling beside it. The building facade behind it is vivid blue paint, bright midday light. The samosa is a tiny golden triangle against the blue building, falling slowly. SHOT 3 [0:03 to 0:04] Ground level wide shot: the busy street below in full midday sun. People walking, an auto rickshaw, a chai vendor, a dog sleeping in a patch of sun, a man reading a newspaper on a bench. Normal day. Nobody aware of anything falling from above. SHOT 4 [0:04 to 0:05] Close-up on the dog sleeping on the ground: one ear twitches. Both ears up. Nose starts working. The dog opens one eye and looks directly upward, pupils tracking something falling. The dog slowly stands up, never looking away from above. SHOT 5 [0:05 to 0:06] Close-up on the chai vendor: his chai spoon stops stirring. He looks up. His eyes go wide. He slowly sets down his spoon. SHOT 6 [0:06 to 0:07] Close-up on the newspaper man: a tiny samosa-shaped shadow appears on his newspaper. He slowly lowers the paper and looks up. His reading glasses catch the sunlight. SHOT 7 [0:07 to 0:09] Wide shot of the full street in slow motion: the samosa visible as a tiny golden dot falling toward the crowded street. Below: the dog now standing, the chai vendor craning his neck, the newspaper man on his feet, an auto rickshaw driver stopped and out of his vehicle, a vegetable vendor shielding her eyes. The entire street watching this one falling samosa in total slow motion. A pigeon flying past at the 5th floor level narrowly dodges the falling samosa, does a double take. SHOT 8 [0:09 to 0:10] Extreme close-up in maximum slow motion: the samosa three feet from the ground, rotating in beautiful slow motion, every crisp fried edge sharp in the midday light, a tiny spray of steam still trailing, the chutney container one foot above it also falling. SHOT 9 [0:10 to 0:11] Ground level close-up: the dogs mouth is open and perfectly positioned. The samosa lands directly in it. The dog closes its mouth. Sits down. Chews twice. Swallows. The chutney container lands perfectly upright on the ground beside the dog with a small click. SHOT 10 [0:11 to 0:12] Wide shot: the entire street watching. Total silence. The dog licks its nose once. Looks at the chutney container. Looks at the crowd. Lies back down in its sunny spot, closes both eyes. The crowd slowly goes back to what they were doing. Overhead on the 10th floor balcony: the pigeon is now sitting exactly where the samosa was, looking down. Bright midday sun, crisp shadows, the entire sequence held together by one samosa and one very prepared dog throughout.